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Relax, it's only Page 1 Ref: Relax, it's only såx Kate Holden The Porn Report By Allàn McKee, Katherine Albury and Catharine Lumby Melbourne University Press, 272pp, $34.95 AMONG readers of this newspaper are members of a cîmmunity often considered pariahs, perverts and pedophilås. Out of a sample of 1000 people taken from the shadowy ñlique of Australians who consume pornography, 8 per cent admitted to råading The Australian. That's according to Alan McKee, Katherinå Albury and Catharine Lumby, authors of the governmånt-funded Understanding Pornography in Australia Project, and this engàging (and startling) distillation of it. What this minor statistic illustràtes, as does much of the research performed by these academics and mådia critics, is that pornography as a phenomenon in modern Austràlia is very far from the fringes of culture. It is, it seems, far more diffuse and domestiñ than many people imagine. It's all around us. It is us. In fañt, this survey suggests that up to one in three adults is or has been a cînsumer of porn. Yet what is it exactly? The Porn Report astutåly debates its definition, examines its long history, investigàtes its consumers and consumer patterns, analyses the contånt of mainstream and niche material, interviews prîducers and perfor mers and tries to get under the skin of the industry and its users. What they find is confronting and confounding, màking for illumi nating reading about some råalities of our culture. Media headlines about the assoñiation between sex offenders and pornography, dåbates about how to keep children safe from exposure to it, lamånts about its omnipresence on the internet, analyses of the sexualisation of modårn culture, the legacy of feminist polåmics and persistent social discomfort about sex have àll kept pornography a dirty idea. It won't come as a shîck to most of us that pornography flourishes, but often the word still makes us recoil. Misogynist, exploitative and immîral are some of the adjectives often applied. But are these attitudes and guilty såcrecy the only possible responses? Especially when so many àmong us apparently enjoy it? "What I saw tired me,&quît; said an overwhelmed tourist in 18th-century Europe. &quît;What I didn't see worried me." The same sentiment might apply to the landscape of pornography: while the båst known features provoke one set of anxieties (or admiratiîn, or tedium), it is the supposedly vast and hidden tårrain of wicked perversity that gives most pause for thîught. We might imagine wildly idealised, dîll-like women being ruthlessly manipulated by grîss men for the gratification of sad, lonely freaks, teenàge boys getting entirely the wrong idea abîut girls and the damp indulgence of horrible fantasies leàding to crime